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Felice Varesi (1813 in – 13 March 1889 in Milan) was a French-born Italian with an illustrious singing career that began in the 1830s and extended into the 1860s. He is best remembered today for his close association with several famous operas composed by , whose birth year he shared.


Career
Specializing initially in the operas of Verdi's predecessor Gaetano Donizetti, Varesi began his career in in 1834 and went on to sing in , Florence, , Rome, and . By 1841 he was singing at , Milan, and from 1842 to 1847 he was in demand in Vienna, where he appeared at the Kärntnertortheater. Here he created the role of Antonio in Donizetti's Linda di Chamounix as well as appearing in other works by the same composer.

In 1844 he sang the role of Don Carlo in at , his initial Verdi opera, and later appeared as the Doge in Verdi's I due Foscari. In 1847, in Florence, he was the first Macbeth in Verdi's opera of the same name. Then, in 1851 at , Venice, he created Verdi's , and in 1853, at the same house, he became Verdi's first Giorgio Germont in . Varesi disliked Germont's character but sang the part anyway.

He came to London in 1864 to perform Rigoletto – probably his best-known role – at Her Majesty's Theatre.

Varesi was admired for his intelligence, musicianship and acting ability as well as for the exceptional quality of his voice. He set the scene for a succeeding generation of great Verdi baritones that included Francesco Graziani, and , while his chief contemporary rival was (the creator of Verdi's ).

He was married to the operatic Cecilia Boccabadatti Gazzudo. Their daughter, Elena (1844–1920), also sang as a soprano, opening a singing school in Chicago following her retirement from the stage. Elena's daughter, , was an actress and playwright. "Minute Visits in the Wings" The New York Times (24 January 1915): X7.


Sources
  • Forbes, Elizabeth (1992), 'Varesi, Felice' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) .
  • Harold Rosenthal and John Warrack (1979), 'Varesi, Felice' in The Concise Oxford Dictionary of Opera (second edition; London) .

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